Reclaiming Chinatown

  • Post category:interviews

Myself and Parker Mah were featured in this beautiful write-up by Peggy Hogan for Musicworks. You can read the full article online here.

Yin Yang Theatre’s Unmasked explores mental health and values of connection

  • Post category:Press
photo by Stephanie Kuse

An interview me and Megan Zong did with our local newspaper Saskatoon StarPhoenix about the collaborative process of creating Unmasked. You can read the full article here. Unmasked runs from Sept 9 – 19 at La Troupe du Jour featuring an original score and live music from me

Pique Artist interview

A little interview I did in the lead up to PIQUE, a new quarterly artist series presented by Debaser. The first installment is happening on June 12, 2021.

You can read the full interview here

How has the pandemic affected your artistic process?

I have so many things I want to say! On the admin side of things it has actually helped me be easier on myself in a lot of ways. I often felt stress and pressure before to keep up with the cycle of applications, deadlines, festivals, touring. And there was often this accompanying weight and regret if I missed anything and almost this anxiety of falling behind. I think a lot of that stems from how business oriented the industry (and also grant and program applications) can be, of needing to show how your career is advancing, progressing, and growing with numbers and accomplishments. I think I tried not to get too caught up in that, but when everyone else is also running on that hamster wheel it’s hard to not feel like you’re somehow straggling if you aren’t following that cycle as well. But now we’ve all shared in this collective pause and it feels like we’re able to choose our own pace more. So it’s been a good time to reorient my motivations, basically doing things less out of obligation and more out of desire.

I think staying at home has shifted our concept of time too and the urgency of (oftentimes, arbitrary) deadlines has softened as a result (like if something doesn’t happen by a certain date that is okay, or if you miss a date there is still a next time and that is okay too). It feels like people have become more flexible and understanding which has also helped with the immediacy that was creating a lot of that stress and pressure. It’s almost like a lot more people have gained empathetic insight that it’s hard to prioritize answering e-mails when your mental health isn’t doing well or something.

On the creative and artistic side, because of all this extra time I have at home I’ve allowed myself to try a lot of new things and really stretch myself. It was like, “Well, I have time, why not build a sculpture or write a short story?” Again, I think I felt some pressure before to focus only on writing music, so that I could record, release, perform, tour, rinse, repeat. I also find it pretty hard to create anything while touring, even though you technically have lots of idle time on the road or in airports. It’s hard to get in the right headspace to organize my thoughts and experiment in the same way as I do at home. I’m truly a homebody so this has been really nice, and I’ve discovered new things about myself!”

SK Arts Awards Nomination

  • Post category:Press

I’m shortlisted for the SK Arts RBC Emerging Artist Award alongside 2 other amazing artists, Maia Stark and Hanna Yokozawa Farquharson.

A really big thank you to Rose Bouthillier, Shellie Zhang, Simon Fuh, Marcel Petit, Amalie Atkins, and Troy Gronsdahl for their kind letters of support 💗. I am very lucky to be surrounded by a community who teach me, inspire me, and keep me humble.

As some of you know, I have a strange relationship to awards: who does and doesn’t get recognized, who decides who’s worthy of praise. And it’s extra strange when it’s funded by a bank like RBC, who are one of the largest financers of fossil fuels in Canada. Artists deserve recognition and awards without strings attached to the destruction of our earth. We deserve compensation and financial support without being used as distractions from the harm that banks enable, especially on poor and indigenous communities. Artists aren’t sellouts for accepting opportunities funded by banks, banks are sellouts for putting money before people and the land. Don’t accept greenwashing, pressure banks to divest from fossil fuels. Switch to a local credit union, protest pipelines. If RBC gets upset with me for saying this, it just proves how they use funding the arts to silence criticism of their profiting from the extraction industry

Back to the Roots: A conversation with respectfulchild

  • Post category:interviews

I had the opportunity to do a little interview with Graham Wall at Toast about 落叶归根::falling leaves return to their roots. You can read the full article here

Installation view, respectfulchild, 落叶归根 :: falling leaves return to their roots, 2020, RBC Emerging Artist Series, Remai Modern, Saskatoon. Photo: Blaine Campbell.